Surviving "The Graduate"

(newyorker.com)

41 points | by samizdis 3 hours ago

8 comments

  • zem 11 minutes ago
    I wonder if it's just me, or if the movie did not age well. I saw it for the first time around 10 years ago, and I was really expecting great things since I was a fan of hoffman and of simon and garfunkel. i found it a very lacklustre movie, nothing I had read about hoffman's iconic performance really landed for me, and the movie as a whole seemed dull and unconvincing. it wasn't a patch on kramer vs kramer or even tootsie.
  • js2 1 hour ago
    For anyone not familiar with "The Graduate" or wants a refreshed, this analysis by Steven Benedict is as good as anyway:

    https://www.stevenbenedict.ie/2012/12/the-graduate/

    (9 minute audio essay.)

  • xenocratus 30 minutes ago
    Something that I was mulling on just the other day. As I grow in my career, on a day to day basis I feel like I'm failing or doing things badly. Maybe because I have no comparison frame for it, because of the growth. Maybe because it's never possible, while you're in the thick of a project, to provide that post-hoc history. The open-endedness feels weird compared with clear causality.

    Or maybe because I'm growing beyond my limit of capability. Time will tell.

  • WalterBright 49 minutes ago
    Maybe the movie was successful because we could relate to Hoffman, while Redford (probably the handsomest actor ever) being rejected was not relatable.
  • markm248 1 hour ago
  • djeastm 1 hour ago
    I remember watching and discussing this film in a film appreciation class. Neat to hear Hoffman's side of it (though it sounds like it wasn't a good time).
  • btilly 1 hour ago
    Here is my hot take. His belief that he was failing, helped him succeed.

    I don't mean this in a trite way. The character portrayed is supposed to be awkward and anxious. Feeling awkward and anxious in real life, left him in the right frame of mind when he walked on set. He looked awkward and anxious, because he actually was.

    Actually feeling what the character is supposed to be feeling, is the heart of method acting. The upside of method acting is that it creates very powerful performances. The downside of method acting is that you have to experience all of the feelings of the depicted drama.

    • kannanvijayan 53 minutes ago
      I am in no way trying to undermine your point, but I have to say as I read past that first sentence, it became impossible to not imagine Tobias Fünke's aspirational role as "Frightened Inmate Number Two" as the subject of your commentary.
  • loeg 1 hour ago
    Why now? These events were 60 years ago.
    • rafram 1 hour ago
      Excerpt from a memoir that came out recently.